30. Advanced Mixture

Identifying Secondary Mixture Chords in Different Keys

Each of the following exercises presents a key and a secondary mixture chord. Identify each chord using a Roman numeral based on where the chord would be found in its respective key.

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Writing Secondary Mixture Chords in Different Keys

Each of the following exercises presents a key and a Roman numeral for a secondary mixture chord. Write the appropriate chord on the staff provided.

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Identifying Double Mixture Chords in Different Keys

Each of the following exercises presents a key and a double mixture chord. Identify each chord using a Roman numeral based on where the chord would be found in its respective key.

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Writing Double Mixture Chords in Different Keys

Each of the following exercises presents a key and a Roman numeral for a double mixture chord. Write the appropriate chord on the staff provided.

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Identifying Different Types of Mixture

Each of the following exercises presents a key and a chord. Identify each chord using a Roman numeral based on where the chord would be found in its respective key. Then, indicate the type of mixture shown by the chord (simple, secondary, or double).

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SATB Part-Writing

Complete each of the exercises below, following standard voice-leading conventions as closely as possible. For more detailed instructions, strategies, and proofreading tips, consult the part-writing guide found at the beginning of this book.

Figured Bass Realization

Write the Roman numerals that correspond with each figured bass note on the lines provided. Then, complete the progression by filling in the upper voices.

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Roman Numeral Realization

Complete the progression according to the given key and Roman numerals by filling in all four voices. The first chord of each progression has been provided for you.

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Melody Harmonization

Write the scale degree numbers of each note in the soprano melody on the lines above the staff. Then, select a suitable chord progression which incorporates the harmonies covered in this chapter to harmonize the melody and write the appropriate Roman numerals on the lines below the staff. Finally, complete the progression by filling in the remaining voices.

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Analysis

Analyze each of the following excerpts by adding a Roman numeral to each of the lines below the lower staff. Don’t forget to match your Roman numeral case (upper or lower) to the quality of the chord and use extra symbols (like o) where needed. Use bass figures to indicate inversions.

Maria Agata Szymanowska, 6 Minuets, No. 1 in A minor, Trio, mm. 10-26
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Maria Agata Szymanowska, 6 Minuets, No. 6 in D minor, mm. 1-8
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Louise Farrenc, 12 Etudes de dextérité (Op. 41), No. 1 in C minor, mm. 52-58
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License

Icon for the Creative Commons Attribution-NonCommercial 4.0 International License

Fundamentals, Function, and Form Copyright © 2023 by Ivette Herryman Rodriguez, Andre Mount, and Jerod Sommerfeldt is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted.

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