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Chapter 2 Appendices

Appendix A: Rubric for Self and Peer Assessment

Scale:

  • +, ! = excellent
  • √ = meets expectations; good.
  • ~ = Ok, could be better.
  • X = needs work.
  • NA = not applicable
Art Your assessment Comments
Intent was realized
Effective
Impact
Interesting
Beautiful
Dramatic
Feel/texture
No distracting elements
Framing/cropping enhances image
Flow Your assessment Comments
Clearly illustrates phenomena
Flow is understandable
Physics revealed
Details visible
Flow is reproducible
Flow is controlled
Creative flow or technique
Publishable quality
Photographic/video technique Your assessment Comments
Exposure: highlights detailed
Exposure: shadows detailed
Full contrast range
Focus
Depth of field
Time resolved
Spatially resolved
Photoshop/ post-processing enhances intent
Photoshop/ post-processing does not decrease important information
Report Characteristics Your assessment Comments
Collaborators acknowledged
Describes intent Artistic
Scientific
Describes fluid phenomena
Estimates appropriate scales Reynolds number etc.
Calculation of time resolution etc. How far did flow move during exposure?
References: Web level
Refereed journal level
Clearly written
Information is organized
Good spelling and grammar
Professional language (publishable)
Provides information needed for reproducing flow Fluid data, flow rates
geometry
timing
Provides information needed for reproducing vis technique Method
dilution
injection speed
settings
Lighting type (strobe/tungsten, watts, number)
light position, distance
Provides information for reproducing image Camera type and model
Camera-subject distance
Field of view
Focal length
aperture
shutter speed
Frame rate, playback rate
ISO setting
# pixels (width X ht)
Editing and post-processing techniques
“before” editing image is included

Appendix B: Copyright Agreement

THIS COPYRIGHT AGREEMENT (hereinafter “Agreement”) is between Professor Jean Hertzberg (hereinafter Professor) and _________ (hereinafter “Student”).

WHEREAS, Student has or will participate in the Course “Flow Visualization” (hereinafter “Course”) at the University of Colorado, the purpose of which is to provide Student with experience applying skills and knowledge in the field of physics and art of visualizing and photographic recording of fluid flows; and

WHEREAS, the professor of this class Jean Hertzberg (hereinafter “Professor”), desire to use materials developed by the Student (hereinafter “Creative Work”) for instructional purposes or for use in Professor’s scholarly publication and outreach activities; and

WHEREAS, Student is willing to allow such use of his/her Creative Work;

NOW THEREFORE, in consideration of University granting Student permission to work on the Project, and in consideration of the mutual promises described herein, the parties hereto agree as follows:

  1. Use.
    1. Student hereby grants Professor the right to use the Creative Work, including any copyrights or other intellectual property rights that may apply to such Creative Work, solely for the following purposes:
      1. For Professor’s personal instructional purposes at the University of Colorado;
      2. For recruitment and publicity for the University of Colorado;
      3. For use in Professor’s non-commercial scholarly publication(s) with appropriate citation of the Creative Work accorded to the Student as described in Section 2.
    2. Professor hereby agrees not to use the Creative Work for any other purpose than specifically described herein without prior written permission.
  2. Public Acknowledgment.

Professor agrees to appropriately acknowledge the Student’s Creative Work in any publication or instructional materials developed by Professor.

IN WITNESS WHEREOF the parties have executed this Agreement as of the date first below written.

Professor

  • Printed Name:
  • Date:
  • Signature:

Student

  • Printed Name:
  • Date:
  • Signature:

Appendix C: Student Work Example

“Get Wet Report”

Flow Visualization by Janelle Montoya, Sept. 25, 2015

Note: This appendix is formatted according to the student’s assignment requirements.

Figure 1: Final “Get Wet” Image: Cream Castle

1 Purpose

The purpose of this visualization was to capture the nature of whipping cream and the fluid dynamics that result from the billowing plumes that arise when it is dropped into a pool of water. The phenomena was initially observed by trying the experiment with cold whipping cream in warm water, which yielded interesting tower-like structures that would form out of a single drop. The shot was captured thanks to the help of my roommate, Allyssa, who dropped the cream into the water.

2 Apparatus

The apparatus used in the image was a wine glass filled with warm water at the highest temperature from the tap in my apartment, which falls in the range of 85°to 90°Fahrenheit. Bubbles that were going to appear at the foreground of the image were scraped from the inside of the glass, so as not to cause any focusing on the bubbles that would appear in front of the cream that would be dropped into the water. Then, a liquid dropper was filled with cold (kept in the refrigerator at 40°F) Grade A ultra-pasteurized whipping cream, which contains approximately 35% fat. The water was allowed approximately 1 minute of settling time before the dropper was held about an inch above the surface and a single drop was released. The visualization occurs approximately 20-25 seconds after the cream has been dropped and has had time to interact with the warm water. A diagram of the setup can be seen below.

Figure 2: Image of Visualization Set Up

Visualization Set Up

The fluid phenomenon occurring in the image is largely due to positive buoyancy, meaning that the entering fluid tends to rise. The result of the cream rising in the warm water is a visualized “plume” which is a column of one fluid rising through another, and is directly driven by buoyancy. In Turner (1962), the author discusses the nature of this plume and how the cap of the flow moves at a slower rate than the column producing it, approximately 0.6 times the mean velocity of the columnar stream. This is significant for understanding why the cream accumulates at the top of each of the columns present in the flow, which can be attributed to its velocity in this case.

This positive buoyancy that is occurring between the liquids can also be attributed to several other fluid properties that were present in this setup. The first of these properties is density, which is different between the two fluids used. A general characteristic of the whipping cream is that it contains a significant amount of fat in it, which tends to rise. In most cases of milk preparation, this fat is “skimmed” from the top of a cream, hence the term “skimmed milk”. This image is a direct account of this fat rising to the top of the wine glass and accumulating in an aesthetically pleasing spiral form. Ihara et al. (2010) discusses the aggregation of more fat globules with increasing temperature as well, meaning that more fat builds up at warmer temperatures, thus increasing the buoyancy effects prevalent in the fluid. The fluid properties for water and whipping cream are listed in Table 1 below.

Table 1: Fluid Properties of Water and Cream
Water Heavy Cream
Density (kg/m3) 1000 994

Aside from simply having different densities at room temperature, the fact that the water was relatively hot also seems to increase the forcing effect of the fluid flow. These thermal forcing effects caused the reaction in the cream to happen a lot quicker than it would have in cold water. Later, the same experiment was attempted with cold water, which actually yielded less dramatic results (relatively slow movement and less columnar structures) since the similar temperatures did not cause any rapid forcing to occur in the cream. These reactions are due to the dependence of density on temperature. It was found that density does, in fact, change the flow scenario since the particles in the warmer liquid will move farther apart from each other and at a more rapid rate, as discussed by Plaza (2005).

The Reynolds number is a quantity of interest in this flow, to further understand the flow pattern at hand. The calculation for the Reynolds number is shown below, where the velocity of the flow was calculated based on the time a previous image of the flow was taken. To do this, the distance of the flow from the bottom of the 4.5″ tall wine glass was compared to an average of where the flow appears in the final shot, which occurs 19 seconds later. This calculation for velocity in the y-direction is also shown below:

[latex]\begin{equation}v_y=\dfrac{δx}{t}\notag\end{equation}[/latex]
[latex]\begin{align}=\dfrac{0.0134m}{19s}\notag\end{align}[/latex]
[latex]\begin{align}=0.00070 m/s\notag\end{align}[/latex]
[latex]\begin{align}Re= \dfrac{ρvL}{μ}\notag\end{align}[/latex]
[latex]\begin{align}=\dfrac{(994 kg/m^3)(0.0007m/s)(0.0021m)}{(0.00289pa*s)}\notag\end{align}[/latex]
[latex]\begin{align}=0.51\notag\end{align}[/latex]

1 Visualization Techniques

The visualization technique used is known as a seeded boundary, meaning the milky liquid is the seeding fluid, and the transparent water does not scatter or absorb any light which makes the seeding fluid more apparent. This causes a clear boundary to be visible, especially against the dark background that was utilized for this image.

The lighting used was a spotlight lamp with a 4.5 Watt LED, which produces 200 lumens. The equivalent warmth for this light is 2700 Kelvin, which gives off a bright and relatively warm color. The lamp was placed with the mouth shining onto the top of the glass at a 45° angle from the vertical, and about 4 inches above the top of the glass as was shown previously in the diagram of the setup. The lamp can be seen in the upper left corner of the original image for reference in a later section. This was the only light source in the room, and all other lights in the surrounding area were turned off.

2 Photographic Techniques

The setup was approximately 6 inches away from the camera lens, while the focal length was 4.3 inches. The digital camera that was used to perform this visualization is a Canon PowerShot SX520 HS, with a focal length of 4.3-180.6mm, aperture 1:3.4-6.0. The settings used to capture the image are as follows:

  • Shutter speed 1/60
  • f/5.6
  • ISO 800

The original image size was 4608 x 3456 pixels, while the final was 4320 x 3456 pixels. GIMP was used as the choice of image editing software, where post processing was performed to darken the black background behind the flow, and enhance the whites in the cream. This was achieved using the Curves feature by creating an “S” shaped curve. Also, the background of the original image has a piece of white paper as well as a visible spotlight that was edited out with the Paint tool by coloring over those features with black paint. Layers were also utilized to mirror the upper right corner of the wine glass onto the upper left side to eliminate the washed out corner from the bright LED light that was incident on that corner. Some cleaning up was done using the Dodge/Burn tool, which selectively brightens or darkens the area onto which the tool is applied, to cleanly blend this addition into the image. The original image is displayed below.

Figure 3: Original “Get Wet” Image: Cream Castle

3 Image Thoughts

This image reveals the beauty of fluid physics in a very clear way. With a very simple combination of fluids, an aesthetically pleasing image is realized. I like the focus on the fluid phenomena that is happening, as well as the swirl occurring at the top of the image due to the accumulation of the fat in the cream. I also think that the bubbles add a nice touch to the feeling of the fluid being enclosed in the wine glass in an otherwise dark place. In the future I might attempt to dilute the lighting so as not to produce such a strong reflection in the glass. I attempted to edit the reflections out of the image, but it proved too difficult to achieve with my level of image editing capabilities. With that being said, I believe that I realized my intent with this image, by capturing the suspended milk in water very clearly and without altering any of the information associated with the fluid flow that is occurring. If I were to develop this idea further, I would choose to observe creams of different fat contents, since heavier creams might tend to produce larger positive buoyancy reactions and perhaps larger plumes. Another development could involve changing the temperature of the water and observing where the threshold of this thermal forcing truly occurs.

References

Ihara, J. et al. (2010). Influence of whipping temperature on the whipping properties and rheological characteristics of whipped cream. Journal of Dairy Science, 93(7). 2887-2895. https://doi.org/10.3168/jds.2009-3012

Plaza, R. J. (2006). Sink or swim: The effects of temperature on liquid density and buoyancy. https://csef.usc.edu/History/2006/Projects/J1532.pdf

Turner, S. J. (1962). The ‘starting plume’ in neutral surroundings. Journal of Fluid Mechanics, 13(3), 356-368. https://doi.org/10.1017/S0022112062000762

Appendix D: Website View Statistics

Detail of https://Flowvis.org website views by country for October 2023 through September 2024, downloaded from Jetpack site statistics. English-speaking countries are highlighted.

Index Country Views Index Country Views
1 United States 17460 81 Paraguay 6
2 India 1153 82 Georgia 5
3 Australia 742 83 Panama 5
4 Canada 731 84 Uruguay 5
5 Taiwan 688 85 Lebanon 4
6 United Kingdom 635 86 Kenya 4
7 Germany 524 87 Honduras 4
8 China 436 88 Azerbaijan 4
9 France 380 89 Latvia 4
10 South Korea 346 90 Bolivia 4
11 Brazil 281 91 Mongolia 3
12 Netherlands 244 92 Cyprus 3
13 Philippines 202 93 Zambia 3
14 Japan 189 94 Malta 3
15 Italy 187 95 Uzbekistan 3
16 Türkiye 155 96 Cambodia 3
17 Spain 152 97 Oman 2
18 Hong Kong SAR China 148 98 Bosnia & Herzegovina 2
19 Russia 136 99 Rwanda 2
20 Singapore 135 100 American Samoa 2
21 Indonesia 128 101 Macao SAR China 2
22 Mexico 126 102 Belarus 2
23 Belgium 114 103 Dominican Republic 2
24 Greece 109 104 Ghana 2
25 Poland 105 105 Guam 2
26 Israel 99 106 Guatemala 2
27 Thailand 92 107 Trinidad & Tobago 2
28 Denmark 88 108 Kosovo 2
29 Chile 80 109 St. Vincent & Grenadines 1
30 Sweden 73 110 Botswana 1
31 Switzerland 72 111 New Caledonia 1
32 Saudi Arabia 64 112 Belize 1
33 Finland 64 113 Montenegro 1
34 Nepal 63 114 Tanzania 1
35 Slovenia 61 115 Ethiopia 1
36 South Africa 59 116 Guernsey 1
37 Vietnam 56 117 Jamaica 1
38 Malaysia 56 118 Bermuda 1
39 Austria 56 119 Côte d’Ivoire 1
40 New Zealand 53 120 Cuba 1
41 Bulgaria 48 121 Libya 1
42 Pakistan 48 122 Zimbabwe 1
43 Czechia 43 123 Barbados 1
44 United Arab Emirates 43 124 Fiji 1
45 Norway 42 125 North Macedonia 1
46 Ukraine 40 126 Brunei 1
47 Bangladesh 39 127 Luxembourg 1
48 Ireland 38 128 El Salvador 1
49 Argentina 34 129 Albania 1
50 Colombia 33 130 Gibraltar 1
51 Romania 32 131 Eswatini 1
52 Egypt 32 132 Senegal 1
53 Slovakia 32 133 Namibia 1
54 Estonia 29 134 Mayotte 1
55 Portugal 26 135 Unknown Region 1
56 Tunisia 26 Total 27543
57 Iraq 24 English speaking 19621
58 Hungary 24 71%
59 Peru 23
60 Nigeria 21
61 Sri Lanka 19
62 Puerto Rico 18
63 Qatar 15
64 Bahrain 13
65 Uganda 13
66 Armenia 13
67 Croatia 11
68 Algeria 11
69 Venezuela 11
70 Ecuador 11
71 Jordan 10
72 Iceland 9
73 Serbia 8
74 Madagascar 8
75 Kuwait 7
76 Morocco 7
77 European Union 7
78 Costa Rica 7
79 Lithuania 6
80 Myanmar (Burma) 6

License

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Emphasizing a Student-Centered Process: Open Pedagogy Course Assessments Across Disciplines Copyright © 2025 by Angela M. McGowan-Kirsch & Kelly Soczka Steidinger is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.